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During the review, version 4.1.2 of the Producer Edition became available via the web site, and I subsequently used this for the majority of the testing. Familiar FruitįL Studio is available in Express, Fruity Loops and Producer editions, respectively offering more features at a greater price. As the previous review is available on-line ( I'll only give a brief recap of these features before looking in more detail at what has been added. The basic functionality of FL Studio remains the same as before: Generators (software instruments) are used within a pattern-based sequencing environment to create complete arrangements. In order to maintain consistency, FL Studio has started at version 4. SOS reviewed version 3 back in the August 2002 issue, but Image Line are now back with a new release, plenty of new features and a new name for the software: Fruity Loops Studio, or FL Studio. The latest version comes with a new name - FL Studio - as well as some interesting new virtual instruments and proper audio recording features.Īlong with general-purpose MIDI + Audio sequencers such as Cubase and Sonar, more specialised applications such as Reason and Acid Pro have also become very popular, and in dance music circles a firm favourite with many is Fruity Loops. On the other hand, if you’re an FL fan, I think you could do some serious damage with the vocoder and new sequence generating features.Fruity Loops has built itself quite a cult following in dance music circles. I can’t really complain about this because FL has so much in it, but it can all get a little hard to follow sometimes. So, there’s a new Gross Beat that manipulates pitch, position, and volume in real-time, but you only get the demo with FL 9. Unfortunately, Image-Line still continues some confusing a la carte options, and actually eliminates its XXL edition that gave you everything. In Producer Edition, you get the Vocodex vocoder. In “Fruity Edition” and higher, you get SimSynth Live, DrumSynth Live, the DX-10 FM synth, and cool-sounding WASP and WASP-XT. In all the editions, you get the new stereo shaper and Autogun. What comes in the box has been expanded, too. (Okay, FL experts – did I miss something? That wasn’t present before?) Multiple controller support for defining different instrument channels.A “Riff Machine” for automatically generating sequences in the Piano Roll.Improved Playlists with “Clip Track” features.Improved effects: sidechaining in the limiter, mid-side processing in the reverb, export and noise reduction in the awesome Edison and Slicex audio-editing instruments.
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This is the one that I expect most excites you crazy, synth-and-effects-routing mad scientists who have been pegging your CPU. Multi-core CPU support, multithreaded generator, and multithreaded effects processing.I think that improved performance and editing may be bigger news, however: Vocodex vocoder, the “last word in Vocoders.” (I thought the last word was, “No one needs a vocoder,” but I could be wrong.) Automatic speech enhancement plus up to 100 “variable-width, multi-parameter” bands does give this some interesting twists.Autogun Derived from the excellent sounds of the Ogun synth, this instrument has “more than four billion presets.” (Wait… what?) I do agree with Image-Line’s description of “rich metallic and shimmering timbres” in Ogun that’s exactly what it sounds like.FL 9 looks to continue that tradition.Īnd because it’s FL, if you’ve ever bought FL, you get a free lifetime upgrade to this version. But perhaps some of its real draw is that it packs, in its mid-level-and-higher packages, it’s packed with fascinating and unusual sonic toys. Its editing interface is built as much around step sequencers and pattern sequencing as the conventional, mixer and audio-tape-derived views. “Fruity Loops” has long proven that not all music making apps have to look the same way. We’ll have more shots once we try out the software, of course! Update: Despite discussion in comments, Image-Line assures us this is an image of FL9. See, it’ll look perfect on your 40″ flat screen. Click through for FL’s infamous Giant Screenshot of FL 9.